So, things remain to be rather silent for Älymystö, but that doesn’t mean we couldn’t play live in different projects. In this summer I toured as a member of NEGA, a shapeshifter-project founded by Mr. Pilvari Pirtola around 10 years ago. My time is too short to fill you in with all the details, but we played in 2+ Year Anniversary of Servataguse Muusika @ Tallinn, Estonia & 4th Kuucvaals industrial festival @ Lielauce, Latvia. This time NEGA was Mr. Pilvari, Mr. Paalanen & me – and to maximize the live effort, the tour also included solo performances of both NOSFE & TAPHEAD in both locations (for me, one show per event was enough and I decided to be just merrily drunk, enjoy the events and catch the latest news from all my Baltic friends). All in all, it was the best weekend of this summer for me, so a huge thank you for everyone involved.

So, here’s a video from our 22th of July live show at Kuucvaals. The sound quality isn’t perfect, but that will be fixed later on as the whole show will be released as mp3s on a certain web-label. Stay tuned for that.

Last summer I had a great time at the Tuska metal festival playing theremin on the stage with Enochian Crescent. They liked what they came up with for the song Muistoja Sorkasta and earlier this year they asked me to record it for their new album, NEF.VI.LIM.

The album is now out, theremin and all, and currently on the first place of Finland’s mid-price top-10 list. If you want to check out some quality black metal for Finland, go get it!

Enochian Crescent -- Lyijysiipi

www.youtube.com/watch?v=MI7hZ1keaxE

As some of you may have heard, I’ve been working on a solo album this year, and I’m happy to say it is now available for enjoyment by humans. The album is called 800 Memories Per Second and it’s a collection of mostly live improvisations recorded over a period of two years or so.

The album should appeal to fans of the more ambient side of Älymystö.

Here’s where it resides. It’s available as a free download and under a Creative Commons license, so feel free to spread the word and/or the files. Do it now.

(Also feel free to follow me on Twitter or on Facebook.)

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ITEM! 19:38:00 by ATYD/Älymystö will be coming out on vinyl in May. The graphics look damn nice.

If someone had told me 10 years ago that one day I’d be on stage during the biggest metal festival in the Nordic countries, playing theremin with a black metal band, I would have taken the claim with just a bit of skepticism.

Be it as it may, this was the exact situation I found myself in during the last weekend of June 2009. After Älymystö‘s previous gig I heard that Enochian Crescent is looking for someone to play theremin in one song medley and told my contact that I’d be interested. This Monday I got a call from the singer of the band, went to visit their band practice on Wednesday and on Friday I found myself packing my stuff and heading over to Nosturi for the soundcheck.

I wasn’t the only visiting artist Enochian Crescent had – there was actually enough of a crowd for a whole another band. Backstage was nicely eclectic with a mix of styles. There was me in my old suit jacket, white shirt and bow tie, Matt Dirty / DigitalFiend pinning bows on his scalp with hypodermic needles, Hellwind Inferion of Urn in a cape and damn cool makeup, plus of course the EC guys themselves.

(More pics here)

The Gig and the Aftermath

Right before the gig I got an unexpected additional assignment. It turned out that I had to play a 2-3 minute interlude with the theremin right in middle of the gig. Performance anxiety isn’t really a big part of my personality, quite the opposite, but I have to admit that upon hearing that and looking at the crowd of drunken metalheads pumping their fists in the air gave me a moment’s pause. Impros are notoriously unreliable, you’ll never know if they’ll live or die, and the crowd was decidedly NOT ambient.

So, did I refuse? Well fuck no!

Like always, the moment’s hesitation turned fast into enthusiasm. After I got the cue (“Come to the stage after the song where I cut myself with scissors”) I headed over to the stage and had a fucking good time. The audience looked rather baffled, but kept chanting and waving their fists. Compared to our usual audiences, it was a leeetle bit different. Well, except for Latvia and the mad fuckers at Depo, maybe.

When I got back to the stage to play on the medley, I almost slipped on a pool of blood when heading for my instrument. Pig hearts had been flying through the air to the audience and back and the stage was looking nice and nasty.

After the gig I went to pick up my equipment, a lot of it splattered with blood, though only lightly. Well, except the cables that were on the floor. The stage smelled of blood and there was a heart lying next to a monitor – and I suddenly realised I was feeling kind of nostalgic about certain movie and other projects I was involved in years ago. Can’t remember the last time I had to wash pigs blood off my hands.

All in all, the night was really fun – thanks to the audience, the guys of Enochian Crescent and all the other artist guests on the stage.

See the full Flickr photoset